Abigail Hobbs (
versusnurture) wrote2013-10-11 04:26 pm
Entry tags:
- & i want & i want & i want,
- ] ( i was the lure ),
- ] did you fish,
- ] or did you hunt,
- a hundred motherfuckers,
- abibabble stabigail,
- always the possibility of murder later,
- bait even now,
- ben is broken,
- better not to be famous,
- can't tell me nothing,
- couldn't protect me in this life,
- dissociation for unfun & notprofit,
- hannibal bannanibal is watching,
- it's people,
- my father is a cannibal,
- my fathers are cannibals,
- she loses time sometimes,
- shoot him every minute of his life,
- the broken face,
- the liar's face,
- this is not my beautiful house,
- tweet tweet motherfuckers
fifth ♢ private + voice + spam
private/voice } ben
[She contacts her warden as soon as Hannibal makes his announcement. Last night, when she checked in, she was distant; this morning she seemed more confident. This afternoon, she's shaky, uncertain, every bone in her body trembling, it feels like.]
Ben. I lost time. [This is an excuse, she knows.]
He made me dinner, Ben.
public } voice
[She cuts the feed on, then off. On/off, on/off, in strange but rhythmic patterns like Morse code.]
[She's fishing. Questions, accusations will come - she remembers that much from last time, with her real father, with Garret Hobbs, the Shrike. She wants them now. She doesn't want to wait.]
public } spam
[She doesn't change her routine, not even slightly. Which is not to say she's not afraid: she's terrified. There's no Freddie Lounds here to publicly doctor this story, to minimize her shame. Even if there was, she honestly isn't sure she'd want that anymore.]
[So she walks the halls and accepts what comes, goes to the art room, goes to lunch, visits Ben on his shift. Sometimes she goes to the CES and forgets where she is and how time passes. Hours and hours go by as she sits under a tree with her knees pulled up to her chest.]
[This is the only vulnerability she shows, and it is accidental.]
private } zane
I know what he wants from me so I can ask him for information if that's what you want.
[It's about the Emperor, of course; she no longer has the privilege, in her own mind, of contacting Zane for any reason other than business.]
[She contacts her warden as soon as Hannibal makes his announcement. Last night, when she checked in, she was distant; this morning she seemed more confident. This afternoon, she's shaky, uncertain, every bone in her body trembling, it feels like.]
Ben. I lost time. [This is an excuse, she knows.]
He made me dinner, Ben.
public } voice
[She cuts the feed on, then off. On/off, on/off, in strange but rhythmic patterns like Morse code.]
[She's fishing. Questions, accusations will come - she remembers that much from last time, with her real father, with Garret Hobbs, the Shrike. She wants them now. She doesn't want to wait.]
public } spam
[She doesn't change her routine, not even slightly. Which is not to say she's not afraid: she's terrified. There's no Freddie Lounds here to publicly doctor this story, to minimize her shame. Even if there was, she honestly isn't sure she'd want that anymore.]
[So she walks the halls and accepts what comes, goes to the art room, goes to lunch, visits Ben on his shift. Sometimes she goes to the CES and forgets where she is and how time passes. Hours and hours go by as she sits under a tree with her knees pulled up to her chest.]
[This is the only vulnerability she shows, and it is accidental.]
private } zane
I know what he wants from me so I can ask him for information if that's what you want.
[It's about the Emperor, of course; she no longer has the privilege, in her own mind, of contacting Zane for any reason other than business.]

[private, voice]
[This isn't the question she meant to ask first. But maybe it's the most important. Ben is the other common thread between them, besides precocious overthinking.]
[Again, she finds herself defensive of him. It's probably unwarranted - but she is, just in case.]
[private, voice]
We're similar, in a lot of ways. Or we went through similar things. We were both very isolated, for a long time. We both lived in fear of masters that had nearly unlimited power. We were both treated like less than - real people.
And he came through that, and he's so kind and brave and smart, even when he doesn't understand things. And - he always was, you know? He used to tell stories, to the other kids he was trapped with, trying to give them hope, trying to give their lives meaning and safety and brightness that was so stripped away from them. It's who he is, trying to understand, trying to make things better.
He's helped me through some terrible things. Even when he barely knew me yet. He's strong and brittle and gentle and - he's just. He's Ben. I don't know how anybody doesn't love him, not if he lets them see him at all.
[private, voice]
[Unseen, she presses her hands to her lips and finds herself grounded by his strength and brittleness and gentle heart, by his tenacity in the face of insanity, his stubborn strength. These are also the reasons she loves Ben. These are the reasons Ben should be loved.]
Okay. [A fluttering breath, and again:] Okay.
Your turn.
[private, voice]
[The one thing she really wants to know, the one thing she wouldn't rather wait and let Abigail reveal in her own time. But she's tied to Ben, he feels a duty toward her let alone his personal care and concern, and Anya more than anyone knows what a multitude of sins protectiveness can hide.]
[private, voice]
[Which means more than saying she loves him. She loves lots of people she doesn't trust - Hannibal, of course, being the prime example - but trust is so exceedingly rare in her that it's worth noting.]
I trust him, and I admire him. And I think he understands me as well as anyone can.
I'll also kill anyone who tries to hurt him. [Dryly:] I don't think he's all that happy about that, but we can't always get what we want.
[private, voice]
No, I suppose he wouldn't be. But I'm glad - I'm glad you're in his corner as much as he's in yours.
[private, voice]
[She is fervent and dead serious about this. He deserves; he needs.]
[private, voice]
Your turn.
[private, voice]
[This presented neutrally, so she doesn't reveal her threefold purpose: to figure out if they are working at cross purposes, if any of Anya's enemies are her friends or vice versa; to figure out who to protect her from, for Ben's sake; and to decide who to investigate further, for her own.]
[private, voice]
[Blunt but calm. The context is as important as the name; she isn't after him - except in the complicated way that involves trying to help Harvey - but she knows it's coming, and isn't afraid.]
I managed to piss Sylvanas off pretty royally by being Arthas's volunteer zombie, but I think I'll be okay as long as I stay out of her way. There isn't really anyone else. I try not to make many enemies.
[Anya wouldn't spit on Elena if she were on fire - a high bar for someone who has actually burned - but she's decided not to try anything against her, either. She's doing her best to give Raven the benefit of the doubt. Junko - her beautiful, mad, brilliant enemy, her worst friend - Junko is gone.]