versusnurture: (➵ don't you mess with me)
private } ben & elena; cw fire imagery )

video

[Everything is, in its own way, a production. Even this. She's posed herself carefully, sitting on her bed and framed in light from the window, so that she looks older, more poised than she feels. What she feels is afraid. Overwhelmed. Not ready.]

[But she has to be ready, which is why she makes herself smile like nothing and nobody can touch her anymore.]


I'm not as good at telling stories as Ben is. But I want to tell this one, if that's okay, because it's important to me. Some of you know it. If you do, I hope it's all right that I repeat it.

[She looks down for a moment, at her hands where they twist together in her lap, and then up at the camera. The smile reaches her eyes, now, because she can feel the strength coming, making her spine straighter and her breath come smoother.]

Just over two years ago now - two years ago for me - my dad died. He'd killed a bunch of girls who looked just like me, and I had helped him. Because I didn't know what else to do, mostly, and because if I didn't, he said he was going to kill me, too.

I didn't want anyone to know what I'd done. I didn't want anybody to think badly of me. I worked so hard to keep myself safe that I ended up killing somebody else, and then . . .

Some of you remember Hannibal.

[She clears her throat, forces her hands to flatten out on the bed beside her.]

It's so easy to trust the wrong person. It's so easy. I trusted so many of them, and I got so many people hurt. I want to apologize, but most of the people I hurt are gone now. For those of you who are still here, I'd take it back if I could. I'm sorry for making the wrong decision.

But I'm not sorry for surviving.

[Now her eyes blaze with confidence, her words coming stronger with every breath.]

Ben saved my life. You all saved my life. So thank you. I'm going now.

I'm going to kill Hannibal.

[She hopes beyond hope that he comes back here. But that part she won't say out loud, just biting her lip, smiling, waving - and killing the feed.]
versusnurture: (➵ all the whitecaps)
private | ben )

public } voice

[She cuts the feed on, then off. On/off, on/off, in strange but rhythmic patterns like Morse code.]

[She's fishing. Questions, accusations will come - she remembers that much from last time, with her real father, with Garret Hobbs, the Shrike. She wants them now. She doesn't want to wait.]


public } spam

[She doesn't change her routine, not even slightly. Which is not to say she's not afraid: she's terrified. There's no Freddie Lounds here to publicly doctor this story, to minimize her shame. Even if there was, she honestly isn't sure she'd want that anymore.]

[So she walks the halls and accepts what comes, goes to the art room, goes to lunch, visits Ben on his shift. Sometimes she goes to the CES and forgets where she is and how time passes. Hours and hours go by as she sits under a tree with her knees pulled up to her chest.]

[This is the only vulnerability she shows, and it is accidental.]


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Abigail Hobbs

a perfectionist;

( one of those very smart girls who hasn't quite figured out that very smart girls grow up and know all the moves that they're making when they're trying to hide something )