Abigail Hobbs (
versusnurture) wrote2014-11-14 10:01 pm
Entry tags:
- & at the end of it all,
- a predictable deterioration,
- ben & the blue lady,
- daddy's daughter,
- entropy which is,
- everything has to fall apart,
- i am a human monster,
- i won't ease your strain,
- i won't soothe your pain,
- lies of course,
- the final phenomenon of deterioration,
- we turn up the oh god all alone,
- when the creative energy ceases
twenty-two ♢ spam & voice & spam
spam } dillon
[Like rising through the very top layer of the ocean, which is sunny and hard to distinguish from air until you reach air and realize what all you've been missing. It's so bright and beautiful even in the dull light of her room once she opens her eyes that it makes her smile at first. Before she remembers.]
[And then she thinks, in the grand scheme of things, in the grand scheme it wasn't so bad. She's been done seen worse things, it isn't so terrible, it's not, it isn't. She's okay. She's been okay. She will keep being okay.]
[She's thinking this as she sits up, as she begins to whimper, as she claws at the blanket around her throat as if it's trying to suffocate her. A scream begins to bubble up in her chest; try as she might to smother it, she can't quite. It keeps trying to be names, Ben Hannibal Will Daddy, and then in the end it's nothing, just wordless crying. She claps her hands over her ear and the open space. Hear no evil, she thinks, and help me, but she's forgotten how to move.]
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I heard there was a memorial. And it's over.
Is it over?
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[She's in the greenhouse, looking for rosehips.]
[This is insane and she knows it. Not just unwise, but insane. The smell of them makes her sick ever since, ever since, and the song makes her crazy, but she hums it anyway, because the memorial is over and she knows she's the only one mourning him. So she touches the flowers and looks for rosehips and mourns in flat silence.]
[Later, the same silence carries her to the chapel, where she sits in the back. She wishes there were raised seats, a hidden place, but this is what there is so this is what she takes. It's probably an awful thing to do, to pray to something that never was a god and that she never believed in for someone who never understood, but she does that anyway, too. For Ben, not for Hannibal. Even she would never pray for Hannibal.]
[Like rising through the very top layer of the ocean, which is sunny and hard to distinguish from air until you reach air and realize what all you've been missing. It's so bright and beautiful even in the dull light of her room once she opens her eyes that it makes her smile at first. Before she remembers.]
[And then she thinks, in the grand scheme of things, in the grand scheme it wasn't so bad. She's been done seen worse things, it isn't so terrible, it's not, it isn't. She's okay. She's been okay. She will keep being okay.]
[She's thinking this as she sits up, as she begins to whimper, as she claws at the blanket around her throat as if it's trying to suffocate her. A scream begins to bubble up in her chest; try as she might to smother it, she can't quite. It keeps trying to be names, Ben Hannibal Will Daddy, and then in the end it's nothing, just wordless crying. She claps her hands over her ear and the open space. Hear no evil, she thinks, and help me, but she's forgotten how to move.]
public } text
I heard there was a memorial. And it's over.
Is it over?
public } spam
[She's in the greenhouse, looking for rosehips.]
[This is insane and she knows it. Not just unwise, but insane. The smell of them makes her sick ever since, ever since, and the song makes her crazy, but she hums it anyway, because the memorial is over and she knows she's the only one mourning him. So she touches the flowers and looks for rosehips and mourns in flat silence.]
[Later, the same silence carries her to the chapel, where she sits in the back. She wishes there were raised seats, a hidden place, but this is what there is so this is what she takes. It's probably an awful thing to do, to pray to something that never was a god and that she never believed in for someone who never understood, but she does that anyway, too. For Ben, not for Hannibal. Even she would never pray for Hannibal.]

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Abigail. Abigail. You're awake, you're on the barge, it's okay. You're okay. You're okay.
[She's not okay, of course. All gods are liars. So are men. But he says it anyway.]
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[She lets her hands fall from her ears. She can hear him. You're okay. You're okay. He tells her the same thing she tells herself. They're both liars.]
[Panting, she smiles, animal and wide-eyed.]
Dillon. Dillon.
[She grabs his hand like she's drowning again.]
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It's me, I'm here. You can breathe, Abigail. You can. One at a time.
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[She squeezes her eyes shut, then forces them open again, squeezing Dillon's hands.]
It's okay. I'm not - I'm not dying, you won't have to - bring me back to life again.
[A joke. A bad joke.]
[God, she wants a hug. (Where is Hannibal?)]
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spamhouse
The way he's behaved towards her is shameful. In more than one way: in presence, and in absence. She probably doesn't want to talk to him. He doesn't know what she's been through in the last month.
What makes him move towards her is the thought that follows on the heels of that one:
He shouldn't assume what she wants. What she's thinking. ]
Are you looking for something? [ It's not a challenge, like those words could be. More of an offer to help. ]
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[She's afraid. Is she? She thinks she must be.]
[Wetting her lips, she tries to speak once, fails, and tries again:] Rosehips.
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But. Names.
So this is a little embarrassing. ]
Can you describe it? Is it like a rose?
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[She sounds very small, and very hoarse.]
We can only have the one?
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I don't believe the same congregation of individuals could be gathered, but no one will tell you how to mourn, or not to mourn.
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SPAM
[For all his trying, it only just kept him together. He approaches her in the greenhouse but stops short, unable to get any words out. He takes a second the moves cautiously into her peripheral view. Maybe he can remember how to speak by the time she sees him.]
SPAM
[Reaching out her hand, she presses the other to the greatest change - the empty space where her ear used to be, covering it up again. She doesn't want him to see.]
Arkin.
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Abigail.
[He crosses the distance between them, reaching out to take her hand.] I'm sorry, I should have come back sooner.
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[She promised, once, and it feels so long ago even though it wasn't, really, to take care of her if Ben couldn't.]
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} spam
He's walking down from the deck, and he smells her. For a moment, he thinks his nose is confusing him, that it's in his head. But he inhales and he smells her shampoo, and he knows he's not making it up.
Scott takes it slow, opening the greenhouse door and easing in. When he spots her, he struggles not to just run up and hug her.]
Abigail?
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[But it's only Scott. A relieved smile, then the icy shock sensation down her spine: she trusts him not to hurt her.]
[It's enough that she can hold herself back. She runs to him and throws her arms around his shoulders, hugging him tight with a wordless noise of joy. Her friend is here.]
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I'm so glad you're up.
[He's so glad she slept through most of the worst.]
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[Arthas is terse, and that's fairly usual, but the force of bitterness behind the one word is like a hammer blow.]
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spam;
When he gets there, he doesn't notice Abigail until he's already stepped into the chapel and the door's swinging shut behind him. It closes with an almost-bang as he spots her and he drops the camera into his hands so he can look at her through the screen instead of directly.]
Sorry.
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[And then he's - sorry. Name, what's his name, she doesn't - Andrew. It's Andrew.]
[And he's not looking at her, and he's sorry.]
[She tucks her knees up under her chin, wipes at her eyes, and says nothing. Just looks at the screen, so it might feel as though she's looking directly at him. So he can feel her stare.]
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He's used to people staring at him, though. Her intense scrutiny is maybe more direct than he usually gets on the Barge from most people, though, and he's still thinking about how she jumped. His voice is low and simultaneously sullen and apologetic.]
Sorry, I didn't-- People don't come in here much.
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