Abigail Hobbs (
versusnurture) wrote2014-05-21 11:07 pm
Entry tags:
- [ ben ],
- [ ceres ],
- [ derek powers / blight ],
- [ hannibal ],
- [ harvey dent / two-face ],
- [ mindy ],
- ] or did you hunt,
- always the possibility of murder later,
- ben & the blue lady,
- capable of greatness,
- ceres is mercifulish,
- collecting dads like they're pokemon,
- collecting gothamites like they're pokem,
- couldn't protect me in this life,
- derek powers knows power,
- explain the logistics of space prison,
- gathering data,
- granted eternal bliss,
- i have seen sights & been scared,
- i will speak the truth,
- i'm worried about nightmares,
- it's people,
- some die young,
- survey says,
- there are no rosehips,
- very smart girls grow up,
- what am i now?,
- who cares i'm dead
sixteen ♢ spam & voice
infirmary spam } after mirror barge
[Dying the second time . . . honestly, it wasn't as bad. This feels like a strange thing to think, but it's most of what she thinks in those days of the death toll that feel like death isn't quite over yet.]
[The difference is, her first death, her real one, was intimate. This was a mercy, sort of, and she doesn't totally regret it, but it wasn't. It wasn't.]
[The same.]
[It wasn't family.]
[She lies back in the infirmary bed and stares at the ceiling with a soft smile. It's very impersonal here, but that's a relief in its own way, too. She's not the only person who died, not by a long shot. She's not the person most choose to focus their attentions on.]
[She can just rest.]
spam } blight
[It's a few days after everything clicks back into shape that Abigail works up the energy needed for speech. She doesn't go back to her cabin, although she sort of wants to. There are pros and cons to everything, she thinks, and the pros of staying in the infirmary outweigh the cons by far.]
[Blight is here, for example. She can see him from across the room. His presence makes her feel safe, in a backwards way, simply because she knows he isn't what he was. He will not protect her, but he will be reeling as much as anyone else. Maybe more. He doesn't seem like a man who likes to lose control.]
[One more day, and she hoists herself up out of the bed and makes her way over to his. A soft, quick smile - an exhausted one.]
Who got you?
spam } hannibal
[She knows he isn't welcome in the infirmary. That's part of the reason she stayed. But halfway through her stay, she did begin to regret it. Because . . .]
[This death lacked intimacy. That's one reason. No one sang her songs. No one told her everything was going to be all right. No one apologized. There was no sense of closure.]
[And because he frightens her at the same time he comforts her. Because the uncertainty and insecurity of her relationship with Hannibal Lecter is secured with a love that doesn't seem to die.]
[When she is well enough to walk, she walks to his cabin, and she knocks on his door.]
inmate filter } minus hannibal
I know a lot of people who are here being - punished, or whatever - they've killed people.
How many of you hunted them?
private } ceres
I'm interested in your answer especially.
[Dying the second time . . . honestly, it wasn't as bad. This feels like a strange thing to think, but it's most of what she thinks in those days of the death toll that feel like death isn't quite over yet.]
[The difference is, her first death, her real one, was intimate. This was a mercy, sort of, and she doesn't totally regret it, but it wasn't. It wasn't.]
[The same.]
[It wasn't family.]
[She lies back in the infirmary bed and stares at the ceiling with a soft smile. It's very impersonal here, but that's a relief in its own way, too. She's not the only person who died, not by a long shot. She's not the person most choose to focus their attentions on.]
[She can just rest.]
spam } blight
[It's a few days after everything clicks back into shape that Abigail works up the energy needed for speech. She doesn't go back to her cabin, although she sort of wants to. There are pros and cons to everything, she thinks, and the pros of staying in the infirmary outweigh the cons by far.]
[Blight is here, for example. She can see him from across the room. His presence makes her feel safe, in a backwards way, simply because she knows he isn't what he was. He will not protect her, but he will be reeling as much as anyone else. Maybe more. He doesn't seem like a man who likes to lose control.]
[One more day, and she hoists herself up out of the bed and makes her way over to his. A soft, quick smile - an exhausted one.]
Who got you?
spam } hannibal
[She knows he isn't welcome in the infirmary. That's part of the reason she stayed. But halfway through her stay, she did begin to regret it. Because . . .]
[This death lacked intimacy. That's one reason. No one sang her songs. No one told her everything was going to be all right. No one apologized. There was no sense of closure.]
[And because he frightens her at the same time he comforts her. Because the uncertainty and insecurity of her relationship with Hannibal Lecter is secured with a love that doesn't seem to die.]
[When she is well enough to walk, she walks to his cabin, and she knocks on his door.]
inmate filter } minus hannibal
I know a lot of people who are here being - punished, or whatever - they've killed people.
How many of you hunted them?
private } ceres
I'm interested in your answer especially.

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But it's still within the first 24 hours of waking up himself that he sections everything else off to locate Abigail, and it's not until he is able to half-collapse, half-fold down at her bedside that he feels he can breathe more easily.
He can't. His chest still aches like there's a gaping bullet wound in it, but he knows there isn't and so he does his best to ignore it and, instead, focuses on being lucid when Abigail is again once more. She'd been so angry with him, so hurt, there; he wonders, when he wonders anything, how long it will be this time before she can stand to be in his presence, if she ever will.]
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[There's a difference between this time and last time. She won't be able to pinpoint it exactly if she's asked, but maybe it has something to do with the fact that this time, she was angry. It means she isn't angry with Ben now, or afraid of him. The line is drawn sharply enough between Ben-that-is and Ben-that-was that she could tell them apart even in the dark.]
[She turns over in her sleep and winces at a pain in her side. Somehow she senses him there and reaches her hand out in waking, her brows furrowed.]
Ben . . . ?
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Her movement and his name would normally send him retreating upright, pulling back, but now he merely opens his eyes further where he is leaned on the side of her bed, chin resting on his hands. He looks at her and her outstretched hand, and his expression is sad.
Sad and tinged with a painful kind of pride, a brittle hope. He will go at the first sign she does not want him here, but that is not what this is, so he does not move.]
Abigail. [He says her name like other people smile.]
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CW: gore
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I don't know if 'hunt' is the right word, but-- close enough. [ She shrugs, casually careless. ] I don't regret it. Some people just need to die. Most people won't do what it takes to protect who they love, places where they live.
I was. Still am.
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So you did it to stay safe. Some people would say that's not murder.
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[ He knows she knows that -- but all the same, he says it anyway. He's not ashamed. ]
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Knowing you made me less scared of it.
[inmate filter] cw; past suicidal ideation mentioned
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He brings Digby, and doesn't linger when Abigail's asleep. There's work to be done, after all.]
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[She blinks, trying to clear her head, and peers around.]
Ned?
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spam }
Still.
There was cruelty without purpose, there. The discourtesy abounded. He does not regret the flood, or port - he's not precisely certain how to classify it - but he is content enough to be back.
When he rises to answer the knock, he expects Mal, or perhaps Ned or even Alana come to judge his actions there. With those expectations, Abigail gets to see something she does not often see: his surprise.]
Abigail.
[She is not well. He can see the death toll's effects immediately, and he steps aside to allow her entrance.]
Please, come in.
spam }
[Instead, she does what he has been expecting this whole time - what she's expected herself to give in and do long before this moment, if she's being completely honest.]
[She wraps her arms around him and leans against his shoulder, pressing her nose to the perfectly-laundered shoulder of his suit jacket, and closes her eyes.]
I died. [She is forlorn. It's wrong, but she missed him in death - and so many things are wrong, she can't even keep track anymore.]
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[Private Voice ]
[Private Voice ]
What kind did you do?
[What kind of hunting, what kind of killing - apparently, it doesn't make a difference.]
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I did. All of them.
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The obvious questions are why and how, but you really don't have to answer either. It can just be a poll.
[All of them, though. Which means the other question is how many?]
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private;
[ From the way she says it she thinks that hunting is a worse crime than just killing. ]
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[spam]
At some point however as the days start to tick by he turns his head and catches a glimpse of her, sleeping. And he realizes he's...not happy, that she's here.
Not happy that she got killed. Not happy that despite all the precautions he knows she must have took, someone took her out anyway.
But she doesn't appear to be taking it too had, he quickly realizes, when she comes over and doesn't seem afraid. When she tries to smile at him, the way she usually would.]
Supergirl.
[His voice still has that sickbed roughness to it, but he's getting better. He hauls and pushes himself up to a sitting position, so he can face her the right way up at least.]
And who got you?
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[But anyone can make friends on the Barge, even the worst people. She knows that. And he's not the worst.]
[Her smile twists sardonic.] The best go worst quickest.
Ceres. So, I guess at least I got killed by someone whose name sounds like cereal.
[And fades. She seems smaller, briefly.] It hurt.
[She is brave enough not to say It hurts.]
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inmate filter;
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I could be.
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[Her tone implies 'duh'.]
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late as hell but i'm doing this man. i'm making it hapen.
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